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Category: Interviews

Independent Interview (2017)

With her jagged smile and pointed nose, this 27-year-old British actress has a face you don’t forget. In the past decade, she has played every kind of role imaginable. She has been in horror films (28 Weeks Later), a teen romcom with Zac Efron (That Awkward Moment); comedy (She’s Funny That Way), experimental art-house drama (Terrence Malick’s Knight Of Cups), brutal indie fare (Green Room), Irvine Welsh adaptations, biopics and even a car racing movie (Need For Speed). She can do rebels, ingénues, screwball characters or tragic heroines.

At Cannes, Poots was basking in the sun, showing no sign of tiredness. Given that she only arrived at the festival a few hours before and was due to head back to London not long after the interview ended, her relaxed demeanour came as a surprise. The British actress is currently appearing on stage in London in a production of Who’s Afraid Of Virginia Woolf? opposite Imelda Staunton, Conleth Hill and Luke Treadaway. She was on stage at the Harold Pinter Theatre late on Saturday night, flew out to Nice in the morning, and would be back in London for the next performance on Monday.

“It’s a long play, nearly three hours. We finished it last night around 11pm. Tomorrow, we start again,” she says. Not that she’s complaining. “Who’s Afraid Of Virginia Woolf? is a masterpiece and each night listening to it, it’s such a rich experience. You take so much from that writing, that material, and you can continue to get deeper and deeper into it the more you do it,” she says, sounding more like a student of the play than one of its stars.


2017 Cannes: The Hollywood Reporter Interview

We added 150+ HD Screencaps of Imogen from the interview by The Hollywood Reporter at the 2017 Cannes Film Festival. She talks a bit about the movie along with her co-stars and the director of Mobile Homes Vladimir De Fonteney. She looks beautiful, we’re not sure why no photos from the festival have surfaced yet, hopefully some will soon. Take a look and visit our facebook page for the video.


Cannes Facetime: Imogen on ‘Mobile Homes’

The British actress Imogen Poots recently seen in “Green Room” and “Roadies” will wrap her theater debut playing Honey in “Who’s Afraid of Virginia Woolf?” before heading to Cannes with her film “Mobile Homes.” Directed by Vladimir de Fontenay, the movie casts Poots as a woman who drifts from place to place with her boyfriend and young son.

Is it true “Virginia Woolf” Is your first play?

Yes, it’s totally nuts! I wanted to do a play but not just do a play for the sake of it. I wanted to do something I was crazy about. This character is my boyfriend, I spend all my time with her.

Read the rest of the interview by Variety here, in our Press Library.

Imogen talks anger, nudity & new play

Would you ask a male actor that?” says Imogen Poots, peering at me suspiciously. I’ve just asked when she realised her looks opened up the board for her in terms of roles. I would, I say – Steve Buscemi is a great actor but he didn’t get to play that many romantic leads. “But he works with Jim Jarmusch all the time,” she responds, “and that’s what every actor wants!”

Poots may not have worked with the celebrated indie director yet but she’s certainly been busy over the past few years, since she made a splash as a teenager enjoying a one-night stand with sexagenarian Michael Douglas in Solitary Man (2009) and was the apple of daddy’s eye in the 2010 ITV remake of Bouquet of Barbed Wire. She went on to play porn baron Paul Raymond’s daughter in The Look of Love in 2013 and an endearing would-be suicide in the Nick Hornby adaptation A Long Way Down the folllowing year.

Since then, she’s mixed critically acclaimed films, such as last year’s violent thriller Green Room, with blockbusters like Need for Speed (2014), and worked with another director that every actor would kill to be cast by, Terrence Malick, on his 2015 film Knight of Cups. That was “wonderful but mad”, she says, recalling the day she thought to ask Malick where her character was from. “He said, ‘Oh well, she’s essentially like smoke; she’s from nowhere and, uh, everywhere’, and I said, ‘Right, OK, great…’.” READ MORE